In response to Porter's definition of sentimentality, I would like to defend my critique of "Pale Horse, Pale Rider". I understand that people experience love and I think that writing about it can be well done. However, I do believe that Porter is portraying this love story as overly dramatic and unrealistic (and I am not solely referring to the scene in which Miranda asks for Adam to proclaim his love to her). I cannot help but feel like Porter is just trying to get the reader to cry, using some of the very same techniques that are used in popular “low” literature today. Yes, I know people tend to find relationships in times of desperation, and that these feelings can be emphasized because of the situation.
I do feel like Porter does not write about “new” love very often, so why in this story? Why in this way? To me, her description of love is 2-dimentional. Miranda finds Adam handsome (She makes several referrals to his blond hair and nice looking frame) and sweet, and besides having to experience the war together, there is no real substance there. And of course, the only hindrance to their relationship is the war/sickness. Why does Porter make everything about the relationship perfect besides the war? Why didn’t Porter go for something less sentimental, less ideal, and more realistic? I mean wouldn’t it be interesting if the reader were pushed to think about Adam in a more complicated light? Sorry if this makes anyone mad, but I feel like I have seen/read better portrayals of “new” love.
Showing posts with label Sentimentality. Show all posts
Showing posts with label Sentimentality. Show all posts
Tuesday, October 21, 2008
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